2019 was a year of Ascen-sion really, for Denver-based DJ/producer, Nick Miller. Not only did he further cement his Phoenix-adorned earmark into the apex of this distance, but he crossed over into mainstream markets, doing so without surrendering his individuality that was established. Miller, more popularly known as Illenium, although still up and up from his inaugural career, has sold out venues like Madison Square Garden along with also the Staples Center before his coming tour together with his third studio record, ASCEND.
Fans of Miller’s function know to anticipate a well-strategized inventive angle from the manufacturer ’ s narrative and sonic themes in order to accomplish a soundscape that is polarizing within individual tracks and his jobs alike. Well-known for helping propel the future-bass along with chill-step genres (both intrinsically stitched into the fabric of his Ashes LP) to the top of the electronic schedule, Miller has found a means to branch to dance-pop and alternative lands without undermining his noise or straying away wholly from your stylistic or tonal approaches that fans have come to crave from the manufacturer.
ASCEND is a 17-track sonic story which accompany Miller’s first and second albums, Ashes (2016) along with Awake (2017) respectively. The record, although available, has just traces of commercialized strategies, which could have been anticipated ahead of a tour Even though the artist will embark upon a tour which sees him headlining 20,000-person venues. That is not to mention that the manufacturer doesn’t entertain tricky vocals during, but he does so in a means that still lets his creation shine through each of the releases as opposed to relying upon a strong vocal line to carry every song to its completion.
High-profile collaborators Miller enlisted for your record include The Chainsmokers, Jon Bellion, X Ambassadors, Bipolar Sunshine, also Said the Sky. He enlists an equally varied roster of vocalists for the releases such as Anna Clendening, Bahari, along with Lennon Stella among many others.
Diving to his tour, Miller is going to be predicated on his headlining shows . The endeavor serves as the ultimate opportunity for him to flaunt his music how he would like to play with it.
“I believe the most free to say myself during my own headline tours because the majority of individuals who move are lovers of the music and understand it,” Miller tells Dancing Astronaut. “There is going to be a community of ‘Illenials’ in these shows. It s different than playing with a festival where not everyone is a fanatic or that far, or opening for one more artist. ”
Longtime fans of Miller will recognize more than some of the tunes. Preemptively released singles from the record have become hallowed fittings in Illenium places across the plank of current memory, such as “Take You Down,” “Crashing” including Bahari, “Pray” including Kameron Alexander, “Good Things Fall Apart” using Jon Bellion, “Takeaway” together with The Chainsmokers featuring Lennon Stella, along with “Blood” comprising Foy Vance.
Few artists reach their whole album launch with a joint 120 million flows on two of the singles from the group independently, and Miller has reached this milestone thanks for his joint effort with The Chainsmokers, “Takeaway,” and cooperation with Jon Bellion, “Good Things Fall Apart. ” While those 2 singles will prove the hungrily singles from the body of work, there is surely an entire world to discover past the two breakout hits.
Those taking cues s nihilistic introduction will be pleasantly surprised after consuming the duration of that which ASCEND has to offer you. Even though the record starts with a intro, “When you mature, your heart dies / Who cares? ” ASCEND appears to harken the affect, emotive to its very core. Collaborators, Echos, previously heard on Ashes‘ “Afterlife,” reappear by Illenium’s side to what is probably the most poignant piece of this ASCEND mystery, “Every Piece Of Me. ” ASCEND is a juxtaposition with the light although packed together with pain, gleaned through Echo’s tracing of a dying relationship which fills the narrator having feeling.
Illenium’s audio doesn’t provide dramatic, tempestuous narrative for spectacle; Miller actually did ASCEND from a seemingly hopeless condition. Miller spoke to Dancing Astronaut regarding his influences and especially spoke to if his present or past shapes his music more.
“It’s a blend of the two,” he explains. “A lot of the tunes are emotional but also reassuring in a manner. It ’ s paralleled with attractiveness and a hopefulness that things will get better, although I ve moved through several dark times that influence my music. This ’s why I love the imagery of a Phoenix. It symbolizes rising from the ash and even the worst struggles can become opportunities for growth that make you stronger. That was my journey so I end up drawing from my past and current to signify that. ”
X Ambassadors cooperation “In Your Arms” sees Miller bring stone components, optimistic vision, and airy electronic production together, laying the framework for the vocals to actually stay in the forefront of this discharge. Though this is among the more paths of this record, the drop is bound to supply welcomed respite for listeners within Miller’s performances of this record.
“That’s Why” containing GOLDN is your ASCEND release. The ethereal bass-laced sound that initially garnered the manufacturer his after is embodied by the trail. The guitar strums along with samples float relaxing, making for a tune that is subtly punchy and delicately into the far-off-vocal-filled fall.
The unmistakably danceable “Gorgeous,” comprising Bipolar Sunshine, appears to be created as the ideal crescendo bit in Illenium’s explosive live performances, with a glitchy dubstep fall that creeps upon the listener from behind pensive vocals and sweetly melodic chords, landing with authority. Emotional Sunshine’s exceptionally powerful vocals hint the listener in a hefty crux of this tune may be yet to emerge, however a interludes assuages the tension and leaves the listener .
When asked which single track from the record Miller would decide to embody the entire compilation he delineated the voraciously streamed, “Take You Down,” known for its reverberating, almost flute-like vocal chop.
“I would choose ‘Take You Down’ because it’s such a personal monitor and represents the emotion I try to have in my music. I think it s a tune which individuals identify and can relate to, and it s indicative of what the remainder of the record resembles. ”
Ultimately, ASCEND is an album, teeming with paradox and lyrical depth, which leaves a good deal to be anticipated when it concerns the live tour which Miller is going to be embarking upon this fall. People people who have come to enjoy Illenium’s glimmering melodicism and frequently heart-wrenching motifs doused in bass, as well as those not acclimated into the electronic space simply looking for a potent dose of readily digestible dance music, could be remiss to not take in the wealthy crests and falls of ASCEND.
Photo credit: Rukes
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